Vol. 7, Issue 2, Part C (2025)

This paper explores the complex interplay between dystopian realities and the assertion of female hegemony in the select novels of Chitra Banerjee Divakaruni and Shashi Deshpande. Traditionally, dystopian narratives are marked by oppressive structures and fractured social orders, but within these subversive spaces, both authors craft powerful representations of women who challenge patriarchal norms and reconstruct identity on their own terms. Drawing from feminist literary theory and Gramsci’s notion of cultural hegemony, the study examines how dystopian settings whether social, psychological, or familial serve as catalysts for women's resistance, negotiation, and eventual empowerment. Divakaruni’s The Mistress of Spices and The Palace of Illusions, alongside Deshpande’s The Dark Holds No Terrors and That Long Silence, reveal how female protagonists reclaim agency through alternative narratives of strength, silence, and survival. The paper argues that these dystopian spaces, rather than reinforcing victimhood, become fertile ground for articulating a new gendered order one that reimagines the role of women as subjects of power rather than objects of suppression. Through an intertextual analysis, this research highlights how both authors disrupt the conventional binaries of dominance and submission, creating nuanced portraits of female hegemony in postcolonial and patriarchal contexts.