Vol. 7, Issue 1, Part K (2025)

This paper explores the thematic convergence of divine love in Sufi poetry and the poetic works of Rabindranath Tagore, highlighting the spiritual sensibilities shared across these seemingly distinct traditions. Rooted in different historical and cultural contexts, Sufi poets such as Rumi, Hafiz, and Bulleh Shah articulate the human soul's yearning for union with the Divine, using metaphor, music, and mystical language. Similarly, Tagore’s verses reflect an intense devotional spirit, where God is perceived not through doctrine but through personal longing, nature, and love. This study investigates how both traditions employ poetry as a vehicle for transcendence, connection, and surrender. Tagore’s syncretic philosophy, influenced by Upanishadic and Bhakti traditions, resonates closely with the Sufi concept of fana (self-dissolution) and Ishq-e-Haqiqi (divine love). The paper analyzes selected poems to trace the linguistic and metaphorical parallels, focusing on how divine love is imagined as both a personal and cosmic experience in each tradition. The use of metaphors such as the Beloved, Flame, Ocean, and journey will be examined in detail, revealing how both Sufi and Tagorean poetry create symbolic landscapes of inner transformation. Furthermore, the role of music, rhythm, and lyrical structure will be discussed to understand how these elements enhance the spiritual texture of the verse. Both traditions rely heavily on the sensual and the emotive to evoke the ineffable, presenting love not just as an emotion but as a mystical path to God. By drawing attention to these cross-cultural poetic echoes, this research affirms the timeless relevance of mysticism as a bridge between faiths, philosophies, and poetic forms. The paper concludes that divine love in Sufi and Tagorean poetry is not merely a theme but a mode of being, one that transcends boundaries and awakens the soul to the eternal.