Vol. 7, Issue 1, Part G (2025)

Alexander Pope’s The Rape of the Lock is more than a mock-epic satire of eighteenth-century aristocratic life; it is also a penetrating commentary on materialism and consumer culture in early modern England. Through his playful yet critical portrayal of Belinda’s obsession with beauty, luxury, and fashionable possessions, Pope exposes the superficiality of a society that equates identity and status with material goods. The poem demonstrates how objects—from cosmetics and jewelry to ornate rituals of social display—function as markers of wealth, class, and desirability. By highlighting the triviality of such pursuits in contrast to the grandeur of epic conventions, Pope not only ridicules the aristocracy’s shallow values but also critiques the emerging consumer culture of his time. This paper explores the intersections of satire, materialism, and social commentary in The Rape of the Lock, emphasizing Pope’s ability to transform a seemingly trivial event into a reflection of broader cultural preoccupations with consumption, vanity, and the commodification of identity.