Vol. 7, Issue 1, Part E (2025)

Monica Ali’s Love marriage is a compelling exploration of cultural identity, familial expectations, and the pressures of modernity in the context of a British-Bangladeshi family. Through the protagonist, Yasmin, Ali delves into the complexities of hybrid identity, the clash between traditional cultural values and modernity, and the challenges of navigating love, marriage, and belonging. This research paper examines the novel through the lens of postcolonial theory, focusing on themes of racial and gender identity, generational conflicts, and the intersectionality of class, race, and gender. It argues that Love marriage presents a nuanced portrayal of the immigrant experience in contemporary Britain, shedding light on the ways in which multiculturalism complicates and enriches personal and familial relationships. Through its depiction of the tensions between individual desires and cultural expectations, the novel provides valuable insights into the complexities of identity formation in a globalized world.